Composing from Models: Looking Backward, Moving Forward Saturday, April 14, 2018, 9am – 6:15pm
Campus Location:Ann E. Pitzer Center
Room:Recital Hall
Location of Event:UC Davis Campus
Cost:Free
Contact Email:Pedaley@ucdavis.edu
Contact Phone #:530-752-7896
Event Type:Arts and Entertainment
Presented by:Music

A Symposium in Honor of Christopher Reynolds, Distinguished Professor of Music, UC Davis
9:00 am Introduction
Anna Maria Busse Berger (UC Davis)
9:15–10:45 am Session I [Chair: Pierpaolo Polzonetti]
Jessie Ann Owens (UC Davis): “Why Did Lasso Choose Cipriano’s Madrigal for His Missa Qual donna attende?
Mark Evan Bonds (UNC Chapel Hill): ”Modeling the Self: The Fantasia as Self-Revelation”
11:15 am –12:45 pm Session II [Chair: Henry Spiller]
Karol Berger (Stanford): “Mahler’s Tristan
Elaine Sisman (Columbia): “Cavatinas and Quotations in Haydn’s Seasons”
2:00–3:15 pm Session III [Chair: Beth Levy]
Stephen Hinton (Stanford): “Weill’s Motives for Allusion”
Raymond Knapp (UCLA): “Saving Mr. [blank]: Rescuing the Father through Song in Children’s and Family Musicals”
3:15–5:15 pm Session IV [Chair: Juan Diego Díaz]
David Brodbeck (UC Irvine): “‘You Don’t Just Stick It Together’; or, Things McCartney Pinched from Wilson”
W. Anthony Sheppard (Williams College): “Allusive Play in the Operas of Adams, Andriessen, and Adès”
5:45–6:15 pm CONCERT
Short Compositions by Sam Nichols, Pablo Ortiz, Mika Pelo, Kurt Rohde. Laurie San Martin, featuring Lucy Fitz Gibbon, soprano,
and Sakurako Kanemitsu, piano.

Free

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